Tag: pearl white
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PlayMakers Gala : Save The Dates
Although we’re in Portland now, Parklife Press spent most of its first decade in Chapel Hill, less than a mile from UNC. On the far side of campus, beyond the sea of pastel polo shirts and khaki shorts, was PlayMakers Repertory Company. This year PlayMakers is celebrating its 40th year, and unlike the previously mentioned campus…
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Purple Petal
For fellow Portlanders Nathan and Liene, we created a customized variation on our Petal invitation. We kept the round corners and multi-tone orchid art, but changed the fonts, orientation, and inks.
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Letterpress Invites in the Santa Cruz Mountains
This is one of our favorite client-designed wedding sets of the summer. Elaine and Joseph’s invites mimic the lush forest that surrounded their venue in the Santa Cruz Mountains, complete with ferns, pinecones, and slugs. We mixed a custom dilution of our Light Celadon ink to let the deep impression of the artwork really stand…
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Golden Black Squares for MA Allen Interiors
Another awesome duplexed card. This one’s for interior design firm, MA Allen Interiors. We actually printed wedding invitations for the firm’s founder back in 2010, and she came back to us for business cards after opening her Raleigh firm. On the front we’ve got gold foil on 30pt black museum board — and on the…
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Business Cards for Dixon Kirby
Another G Brand design, this one for design and builders Dixon Kirby. These are duplexed cards, printed with two inks on Pearl White Lettra for the front, and one ink on Adriatic Colorplan for the back.
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Business Cards for Virile Heart & Heritage
For the New Jersey grooming gurus at Virile, we printed these thick two-sided cards on 600g pearl white Lettra with tinted white and black inks. We finished them with a rich brick edge paint. To help the impression pop, we like to use white ink tinted with a little bit of silver rather than print…
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Stationery Fit For a Dean
Walt’s stationery design is simple, but deceivingly so. We printed the three-color piece on 5×7 cotton paper with a fine halftone screen in the lighter blue ink pass, creating the illusion of a third blue — lighter than the lines that outline the abstract wave shape.